This innovative high resolution printing technique results in durable and spectacular looking prints of the highest quality.įor just a little more than a print you can have a hand made reproduction of a painting of El Greco (Doménikos Theotokopoulos). use only the most modern and efficient printing technology on our 100% cotton canvases 400gsm, based on the Giclée printing procedure. All 436 paintings from El Greco (Doménikos Theotokopoulos)ĭo you want to buy a giclee print on cotton canvas of this artwork from El Greco (Doménikos Theotokopoulos) ?.Museums exhibiting El Greco (Doménikos Theotokopoulos) With his brushstrokes, he brought out the character of his subjects.All artworks with topics Portraits, ReligiousĪrtworks related to (Portraits, Religious) with colors ( _, _, _)Īll Artworks with main color _ and also ()Īrtworks in museum Metropolitan Museum of Art (New York, United States) The reason being that the cardinal’s body and arms appear to form a triangle pyramid. Raphael's Portrait of a Cardinal has been compared to Leonardo da Vinci's Mona Lisa. When it comes to portraits, his style and methods enabled him to provide his subjects with a sense of appearing three-dimensional. Raphael was a master painter using techniques that we identify today as being High Renaissance. He gave his subject's an appearance that allowed them to appear human with a personality. In his portraits, Raphael was able to express clarity and simplicity in his subjects. Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi.Portrait of Cardinal Alessandro Farnese.Unlike his portraits of friends and family, Raphael’s portraits of members of the church began after he took up residence in Rome. In his portraits, Raphael applied a lot of detail to making subjects appear real and encouraged other painters to do the same. Those commenting on his works report how his subjects show a strong sense of realism. Some say that their absence makes the presence of this member of Rome’s church all the more striking.ĭuring his career, Raphael painted portraits of many of his friends, family and clergy. There are no objects in either the background or on the body of the sitter. This is down to the red of his hat and cloak compared with the whiteness of his sleeves and his face. Equally, there are strong contrasts visible in the cardinal. The painting of the cardinal shows a contrast between the person and the dark background. Shown seating, it’s thought that the cardinal is either Cardinal Bendinello Suardi or Cardinal Francesco Alidosi. The identity of the cardinal in the portrait has been the subject of much effort by art historians. Over 200 years after its painting, Carlos IV of Spain obtained the work during a visit to Rome as a prince. His patrons during his time in Rome were the popes Julius II and later, Leo X. Raphael painted the picture at a time when he was in Rome and at the height of his career. The painting applies the medium of oil on wood. It’s an Ecclesiastical themed portrait of a Rome cardinal. Between 15, Raphael painted the Portrait of a Cardinal. The picture is on display in Madrid’s, Prado Museum. It also has the alternative title, The Cardinal. One of those works attributed to Raphael is the Portrait of a Cardinal.
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